An original Swedish Hasselblad camera is the point of departure for ‘One Time One Million’ (2006-2009). Because the camera dates from 1942, this object launched Kriemann straight back into history. Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights.
References
...- Cecilia Widenheim: The gaze of modernity
- Dieter Roelstraete: The Mass Ornament: Nomadology, Ornithology, Photography
- Els Roelandt: Shades of Modernism
- Ida Lowgren: Visit to the Antique Shop
- Susanne Kriemann: Migratory Birds - Romantic Capitalism
- Dieter Roelstraete: The Preserve of the Eye
- Ulrika Flink: In These Places We Store Knowledge
Solo Exhibitions
...- One Time One Million, 2013 abc Curated by: Wilfried Lentz / RaebervonStenglin
- Susanne Kriemann, 2011 Kunsthalle Winterthur Curated by: Oliver Kielmayer
- One Time One Million, 2009 uqbar Berlin Curated by: Antje Weitzel, Dorothee Bienert, Marina Sorbello
- One Time One Million, 2009 tedelijk Museum Bureau Amsterdam Curated by: Duo with Vincent Meessen
Group Exhibitions
...- move – align – avoid, 2013 Kunstverein Harburger Bahnhof Hamburg
- Habita(n)t, 2012 Rabobank art collection overview, Utrecht
- Modern Dialect, 2010 Mukha Antwerpen