below the waving surfaces of the ocean, an archive of plastics, conserved by the absence of sunlight, is found

library for radioactive afterlife (uraninite cycle)

how do we see and participate in a landscape with a camera that doubles as part of the emergence of the photographic outside itself

light machine, light night

no tomorrow can darkly announce its approach

scan, retouch, rework, solarise, boil, dry, water and reprint

crumbling dried flowers are just plain floral pulp, like the paper of a photographic print

a white camel loaded with oats is coming over the pass

imagination of an unrecoverable past